When Mommy Breaks Down

when mommy breaks down
nervous
you scour the bathroom
scrub the floors
wash the windows
do the laundry
dust the living room
change the light bulbs
when they burn out
clean the kitchen
buy the food and cook
for yourself and mommy broken

you walk through the house
quietly
trying to be air
as if the floors were hot coals
broken glass
or a bed of needles

you speak at a volume just right
tone emotionless
watch the news
late-night talk shows
the late movie
listen to the radio
at a volume so low you could hear
mommy’s breath in the next room
and you read about history
about triumph
about life

you go to school
on time
late or not at all
but you always do well enough
so mommy would not have
to leave the house
‘cause you know mommy shouldn’t leave the house
and when she does
you are always by her side
at the bank
(you wonderin’ where
she got the check to cash
in the first place)
at the doctor’s office
the pharmacy
some relative’s house
by her side
always
she needing
to lean

when mommy breaks
you break
into fragments
but if you are to survive
your blood must become glue
‘cause you must pull it together

you look into her eyes
around you and guess
guess if she needs a blanket
something to eat
the tv channel or radio station changed
or it turned on or off
any sign of life
while all the plants in the house die
or try to
but you can’t let them
so you take care of them too
you answer the phone
“oh she’s not in”
or “oh she’ll call you right back”
or “oh she’s sleeping”
or “oh she’s…”
you leave your friends
at the door
and it doesn’t even matter
what you tell them

‘cause teenage noise
would certainly disturb mommy
or you
or the stillness
and someone
something should explain
the quiet

“why is mommy…”
who cleaned the house
worked every day
raised four kids
single-handedly while going to college
bought food
gave you and every one
such good advice
“why is she so broken”
so you go through the house
looking for clues

you find papers
you read them all
between and behind every line
you uncover
pictures books pieces of the puzzle
secrets
skeletons
and lies

you ask questions
actually you only ask one
at a time
or maybe one a day
or week
or month
‘cause you don’t want to
wipe away her
surely-to-follow tears

you listen
she tells you everything
a burden lifted
she tells you
‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you listen
she tells you everything
a burden lifted
she tells you

‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you go to school
join a club
the track team
run in circles
for miles
a natural high
you are good
but you never excel
no
that would mean mommy
would have to talk to the coach
about allowing you to go out of town
to this meet or that meet
then he too might ask why
she doesn’t come to a meet
to see how wonderful you are

“you explain things so well
you have so much insight
you’re so mature
so thoughtful
so kind
so different” people tell
you thank them all
smile not too wide
‘cause even the best glue
won’t hold together
if you pull too hard
stretch emotions
too far

unknowingly
your vision becomes narrow
your horizon small
and all you remember is mommy
head bent
shoulders round
sitting in a chair
or on the side of a bed
still
alone
you remember your mother
without you
you think
without you where would she be
what would happen

so you build a wall
a very tall wall
so impregnable
so high no one is able to climb
look over
or get through
it protects you
or traps you
or traps and protects you
it’s in your face
your eyes
your mouth
your gait

yet men approach you in the streets
women approach you in the streets
then the streets approach you
you wonder how
everyone and everything know
you need so much
but you never asked for help
you are mommy’s
little helper


© B.Michael Hunter 1989

“When Mommy Breaks Down” was first published in The Road Before Us: 100 Gay Black Poets, Ed. Assoto Saint, 1991, which won a Lambda Literary Award the following year; and later in Boyhood, Growing Up Male: A Multicultural Anthology, Ed. Franklin Abbott, 1993. In a letter to Abbott, B.Michael offers some important context for his poem.

Dew Locks

For Ron Harris


STARTED AS A SORT OF BAPTISM
WARM WATER ON YOUR HEAD
WANTED A REASON TO CARESS YOUR BEING
TO TOUCH

YOU — YOU NOTHING BUT FLESH ON BONES
A LIVIN’ STICK FIGURE
YOUNG THANG
EYES BRIGHT
DRAWIN’ IN SLOW BREATHS

YOU SIT — ERECT — BETWEEN MY LEGS
THE WORLD AT YOUR FEET
LOOKIN’ LIKE ANCESTORS
COULD BE CHOCTAW — CREEK
COULD BE FON

I ANOINT YOUR HEAD WITH HERBS AND OIL
HONEY DRIPS SWEET IN OUR EARS
SLOWLY OUR BODIES ROCK

MY FINGERS
TWIST HISTORY
TWIST POWER
TWIST CARE

DRAWN TO YOU
THINKIN’ YOUTH
THINKIN’ BROTHER
THINKIN’ LOVER

SQUEEZE MY HANDS
CUPPED GENTLY ON YOUR HEAD
A SUBSTITUTED STOLEN KISS
PLACE A JEWEL IN YOUR HAIR
YOUR CROWN
MY PRINCE
CITY STREET CHARMED

WE MOVE THROUGH ROOMS
CHECK REFLECTIONS
MOON FULL — ITS GLOW A STREETLAMP

ON OUR BACKS IN DARKNESS
WE TESTIFY
AND ALL THE TIME
I’M WONDERIN’
WHAT YOU THINKIN’

EYES CLOSED
SPIRITS SUMMONED
IN CELEBRATION OF OURSELVES
WE CREATE
THROUGH THE NIGHT
SOFT — WIND — SONGS


© B.Michael Hunter 1989

Morning Thoughts

I WANT TO SEE YOU IN THE DAYLIGHT
NAKED
PLAYING INNOCENTLY
LIKE CHILDREN

SKETCHING SLOWLY — THE MURAL OF OUR LIVES

I WENT DOWN INTO MYSELF TO
SURFACE THE PARTS OF MYSELF I KEEP QUIET/SILENT

MY FEELINGS ABOUT YOU TAKE FLIGHT
WHAT SHELTER CAN I GIVE THEM?
IN THE THICK OF MY BROW, I WONDER
WHAT YOU THINK/FEEL I FEEL/THINK ABOUT US
THOUGHTLESSLY — YOU FEEL SO RIGHT NEXT TO ME

WITH STRENGTH — I AM HELPLESSLY MOVED
TO TEARS — TO WRITE — TO YOU
AND I CAN’T HELP BUT ADORN YOUR FEET
YOUR FOUNDATION
NOR TRY TO ENCASE YOUR GOODLOVE
THAT WHICH SPAWNS AND LETS NOURISHMENT DEPART
WITH GIFTS

I HEAR YOUR VOICE/WORDS/INNER SELF AND KNOW YOU ARE RIGHT
AND WHILE IN MOTION
I WAIT FOR US TO GO TO SHARE YOUR SPACE

IN THE DAYLIGHT


© B.Michael Hunter 1988

The Introduction

21 June 1981
Sunday AM

Looks exchanged
Curious
yet uninvolved
Time elapsed
at an uncommitting invitation
the journey
into the land of metaphors
begins.

Looks exchanged
change,
holding questions
How are you?
What brings you to this frontier?
The conversation
measured
as our story
unfolds.

Unknowingly
we have traveled
on some of the same roads
not once had we seen each other
see each other.

My story
untold
themed with chapters
of unfulfilled love
Your story
untold
themed with chapters
of betrayed love.

Both stories
untold
incomplete
nourished with realities
bitter fruits.

Both you and I
unrelenting
in our desires to be
completely harmonious.

And yet
we’re still two
independent notes
congruent
in affection and purpose.

Each pitched and strum at the phrase
“Proceed With Caution!”
And two who need no one
need someone
to love.


© B.Michael Hunter 1981

Reasons Why

A reason why I
One two bop skip
cannot be concerned about
Love or simple fantasies or dreams
that occur while I sleep peacefully
You know why I
One two three bop bop bop
cannot smile or paint a happy picture or
sing a simple song or write empty hateless words
is obviously because
You
One two three four ping pong ding dong
Insist
and
Continue to
Walk all over me
Squish


Is it based on questions, insecurities, fears, hope, and fantasies,
this thing called love, or is it simply a reflection of ourselves,
checking us out while we don’t even know it?


How foolish we are, those who love boastfully, displaying our vulnerability,
wickedly maneuvering our own emotions simply to fit them for all
occasions, except real reality.


© B.Michael Hunter 1979

Interlude


Balanced delicately
between two forces
Your world
My world

My step — solid firm
but noncommunicative
Your step — solid reaffirming
but noncommitted

We dance
rhythmically
full of language
but incomprehensible

I can’t read your mind
You can’t hear me
I can’t read your face
You can’t see me
I can’t read you
You don’t know me

Your smile
My look
Your look
My smile

I can’t have you here
You don’t know me there
You can’t have me here
I don’t know you there

Forward Backward
Backward Forward
Seemingly symmetrical
Into me
Into you
Interlude


© B.Michael Hunter 1979

The Transition

I saw the blue skies turn fiery red.
Maybe it was love… maybe it was fright.
And clouds, that hold cool rains or cold storms,
That wipe out life by over-abundance.

I saw the blue skies turn fiery red,
And then turn blue again.
I saw the blue skies become windy
And blow the clouds, that held the cool rains.
I remember the wind blowing the clouds,
First slowly, then increasingly fast,
Building up to an uncontrollable force
That couldn’t be checked by life.

I remember that windy blue sky
When it was as calm as a breeze
That checked the fiery red skies,
And reached a medium
That was subtle, and sweet.


© B.Michael Hunter 1976


You Dare Say Why

For his mother

Your heart is as the coolness
of all winters, with no repenting.

You dare say to me, Why?
Why do I need you?

I laugh now
because all tears have left my eyes
with years of deception.

I should have never lived for us
’cause only you came out
victorious.

While I, me,
while I cast down all the lovers
truer to me than my future,
for you?

While I walked the lines of poverty,
for you?

Shared your enemies,
Bore your children
So your name lives on.

Slept, wept and lived for you,
and your love.

And in return
you left me
And that is why I feel
defeated.


© B.Michael Hunter 1975

Sister

Sister
how sweet is the syrup
of your love?

I know not —
but no other woman
has touched my heart so special.

I weep for you
knowing your sorrows
pray so you may have no fears.

I look at you
your mother’s child
your eyes
so full of life and hope
I know
I am at home
in the fruits of man with you.

I stand against any man
who treats you wrong
bow to any who feel you like I.

I let the world know
my heart’s at home
with you.

I forget not
who you are
where you’ve been
where you’re destined to go
like the creation of the world
so is my love
for you, My Sister!


© B.Michael Hunter 1975


A Significant Postscript:

We stumbled across “Sister” just a few weeks before launching What I Miss? The writing was in a sealed envelope, addressed to B.Michael. June “75” was written on the back. However, this doesn’t appear to be his handwriting.

This envelope, in turn, was in another sealed envelope, also addressed to B.Michael, this time in his own handwriting. The return address, from “Hunter” at the same address, is written by someone other than him. (If anyone reading this recognizes the penmanship, please let us know!) He, or someone, had mailed it — certified no less! — through the U.S. Postal Service, postmarked at the Lenox Hill Post Office on June 23, 1975, less than 2 miles from his home. He would have recently turned 17 years old. Curiouser and curiouser. Why did B.Michael keep it sealed for more than 25 years? We hesitated, not wishing to disturb the potential Indian Jones-esque spirit lying dormant, by the time we found it, for almost four decades!

We speculated about the subject of the writing, which read more like a poem. For a moment we wondered if he was referring to his older, biological sister, Victoria. Or to Sheilah’s mother Frieda — the favorite sister of B.Michael’s mother, Sheila — who had died earlier that year. Sounded more like Shakespeare writing to his mysterious Dark Lady. Who was this unnamed love interest? Did she ever get to read it, or hear it recited to her? B.Michael, what are we missing?