Love and marriage, not the same thing

There’s … a lot of freedom and mobility in being gay. And choosing not to raise children. Without the status of children, we’re not validated in society. My point is less wanting to get validation from someone else. It’s more important to be self-fulfilled. It’s a point of empowerment. You’re not trapping yourself by convention, buying into status-quo. I still think working toward self-fulfillment will gain the same financial rewards or benefits that “selling yourself to a corporation” would buy.

Having been in a different situation, it doesn’t make a lot of sense for me to use others’ measuring sticks of how I should view myself in the world. This automatically sets you up for failure. Everyone has a little bit more, someone else is a little bit taller. Ranking is dangerous. Some status that you fall short of makes you self-hating, self-destroying.

B.Michael Hunter in “Windows & Water Towers”, an essay written with John Manzon-Santos and published in Queerly Classed: Gay Men and Lesbians Write about Class (South End Press: 1995, ed. Susan Raffo).

In our book, you wrote about love. This is what you and Johnny decided to share. You wrote about love and relationship but not in that starry-eyed, soften all-the-edges way. Instead, the two of you argued, you disagreed, you rubbed up against each other, and you showed in a hundred small ways the depth of your commitment. You wrote about what it means to pay attention to your relationship, about the ways you are gay and the ways you are different from each other, how these differences are the core of your relationship, the things that make you disagree, and what strengthens your commitment.

For the last six years our relationship, perhaps like any other, has been in search of anchorage. We have learned how commitment, trust and yes, intimacy, can ebb and flow over time. What grounds us is when we attempt to break our familiar Catholic patterns of silence, especially when it feels most risky. In this case, we hope that our talking through issues together (and sharing them via a transcribed dialogue) – seams and all – will demonstrate some of the ways in which we struggle to understand how class is braided with other factors in our relationship.

Windows & Water Towers, 1995

You died, my friend, just at the turning point for how gay – and all kinds of queer – relationships would be understood. You died on the edge of a lot of change and oh, my friend, you’ve missed some things. You’ve missed this moment when love turned from something generative and unapologetic, the radical compost of having to find it deep within ourselves to fierce-claim our love of another person, to something that has the necessary legal support needed to make its revolutionary nuances disappear. I am talking about marriage. I am talking about the capstone on a struggle for acceptance and safety that started when AIDS became, not a crisis that brought care and compassion, but an excuse for making our queerness disappear.

You are now on the other side, Bert. An ancestor. I am telling you about what you have missed but I also know that you know much of this already.

In the essay in Queerly Classed, you wrote about being on the founding board for the Audre Lorde Project, about organizing the People of Color contingent for the 1990 Lesbian & Gay Pride March. The two of you list a who’s who of radical queer New York POC organizations, most of which don’t exist anymore. While we were talking about the book and your essay in it, the March on Washington was getting ready. In 1993, an estimated 1 million people attended the March on Washington for LGB Equal Rights and Liberation. Were you there? I was there with my partner at the time and thought it was amazing. The march platform focused on reproductive justice, racial and economic justice and universal health care.

At the 1993 March on Washington, not a single part of the platform included gay marriage in any form. We said things like “family liberation,” saying, just as you said in the book, that family is not about having or not having children. It’s not about getting married. It’s about deep commitments to each other’s well-being. Like universal health care, we were demanding that those things traditionally accessed through marriage become available outside of that traditional institution, like shared health care, economic safety and the right to have our children no matter the shape of our families.

It was also in 1993 that organizers on the Right started to gather around the idea of “traditional family values.” This was brilliant, right? A coalition of religious fundamentalists and economic conservatives began to build a base that would have enough power to push back the love and rights based work of the Left. Their fundraising and mobilization work called out AIDS as a threat to the traditional American family. They mobilized fear. They began to design their new enemy, using our bodies and their terror to justify all kinds of things from disappearing manufacturing jobs to earthquakes and floods. You know this, Bert. You were in those conversations while you were organizing in New York.

1993 was the year they passed Don’t Ask, Don’t Tell. It was the year when the film Gay Rights, Special Rights went viral. This was a new kind of film, one that was designed to drive a wedge between LGBT and Black communities by positioning gay folks as privileged white rich people who just wanted to have everything our way, to operate outside of morality. Again, you remember this. We all talked about this, pushed against this, struggled with this.

In 1993, few of us were interested in or advocating for legalized relationships. Gay marriage was not a mainstream or even much of a marginalized LGBT issue. Prior to 1993, there were only 8 attempts to either enable OR prevent same-sex marriage through some form of legislative or court decision. Each was an isolated individual initiative, not connected to a broader movement. But between 1993 and 2000, right before you died, there were suddenly 26 attempts to prevent same-sex marriage from becoming legalized. Each of those 26 were organized by these Right coalition groups like Focus on the Family and others. Between 1993 and 2000, there were 6 pro-same-sex marriage campaigns and 4 of those were in 1999. Let me spell that out more clearly – the coalition Right created gay marriage as an issue. They spent seven years getting it into the national imagination as a threat that had to be stopped. It wasn’t a threat. Us queers weren’t talking about marriage. We were loving each other, surviving AIDS and talking about healthcare. The opposition named same-sex marriage as a threat to traditional family values, they raised lots of money and we started to fight back.

You were already sick in 2000 and so you might have been watching this happen or you might have just ignored it as your world got smaller. Things always get smaller when we are preparing to pass. Almost everything shifted and reversed right around the time of your passing. Starting in 2000 and 2001, there were twice as many attempts by the LGBT community to legalize same-sex marriage as efforts to prevent it. It took the Right seven years to ramp us up but then, starting just as you were dying, we reached down and picked up the rope and starting pulling hard against them.

What do we do when someone wants to pick a fight? Evolution tells us we are hard wired to either run, freeze up or turn around and fight back. What is hardest to do, even when the lion is running straight at us, is stop and take a deep breath and determine the best course of action. Liberation is about choice. About stopping and breathing and noticing, rather than responding to this fight that we didn’t pick. What would happen if we just ignored them? Turned our backs on their fear and refused to engage?

The National Millenium March in 2000, an incredibly white and professionalized march, focused their platform on hate crimes legislation, the right to marry, employment non-discrimination and the repeal of Don’t Ask, Don’t Tell. In addition, they had a range of soft goals that said things like LGBT People of Color exist and need to be more visible! Liberation politics, Bert, had turned to inclusion politics in only 7 years. The specificity of our experience, the foundational leadership of Trans and queer people of color, and the beauty of our sex that had been branded as diseased by the US mainstream: all of this was disappeared into a platform focused on being included in middle class US rights. By the 2009 National Equality March, there weren’t even any soft goals related to the breadth of our experience. By 2009, 16 years after the March on Washington, the platform was simply a call for equal protection under civil law. Inclusion. Inclusion. Inclusion.

Your essay in Queerly Classed refuses to define your selves or your relationship by comparison with any external standard of success. Instead, you choose to spend time deeply inquiring over the histories and experiences that have led you to make the class-based choices you have made. You died, Bert, before we had internalized their stories about us; before we believed that our right to marry is part of what legitimizes our right to exist.

Bert, they used our greatest vulnerability against us. You write in this essay about what it felt like to be young-old, someone who had seen so many of your people die as a result of AIDS. You and John both write about what it is to be in relationship when one of you is positive and one is not. You talked about how you navigated this. John noticed when things shifted so that AIDS no longer felt like it was ready to pounce from just around the corner. And it was still there, the truth of it, there in your home as you talked about family and race and the differences in calling a cab in New York when you are Black or Filipino.

They used our greatest vulnerability as a weapon to further destroy our belief in our own lives. And we helped them. We were not immune from the wounds of this country: white supremacy and its dance with capitalism being the base that brought the concept of land ownership and the ownership of human beings to the oak savannah and prairie where I live. The patterns that this violent founding established showed their way into our fabulous queerness just like everywhere else. Like a form of disaster capitalism, the coalition Right used the fear and vulnerability that came from seeing so many lovers die to inflame the mix of internalized oppression and race and class supremacy to move rapid-fire away from our beautiful differences to the death knells of inclusion and assimilation.

In the midst of the marriage fight here in Minnesota, a friend reminded me that all legalized discrimination needs to end. And this is true. Yet in its ending we lost so many other things. Some of us are very safe now, Bert. There are gays and lesbians and bi folks with legally recognized relationships and protected retirement funds and no need to do what we did: get all of the legal papers needed so that we could tend our lovers when they died. Just like before, the queerer you are, the Blacker or more Native or undocumented you are, the less those legal rights guarantee a difference in your living condition. It always comes back to this, doesn’t it? From the beginning of this country, it’s what it comes back to. Those first wounds of attempted genocide and the institution of slavery are the foundational trauma that is not finished. Like all trauma, these wounds and the systems that protect them find a way to come back and recenter themselves again and again.

I don’t know what you would have thought about marriage, Bert. So many folks surprised me by their excitement for this protection. So many others, people our age and older, quietly told me behind the scenes that they hated everything about it but also believed that legalized discrimination should end. We sat and felt frustrated with the steps that had led to marriage as the moment of our supposedly greatest victory.

So this is what I want to tell you, Bert. I want to tell you that as messy as things were before you passed, as much deep grief was (and still is) not healed or integrated from what AIDS did to our communities, still there was clarity. While we described it in lots of different ways, still, there was often a shared sense that as gay or queer people, we had a special insight on sexual liberation, on gender liberation and on family liberation. And together we were struggling to link this truth with the truth of the original wounds of this land. We knew that things were not what we had been raised to believe. Many of us were actively struggling within our identities as lesbians, gay, bisexual and increasingly transgender to more deeply understand and fight-feel for our shared liberation.

Some of us are safer. But many of us are not. It’s just that those who are not safer no longer turn to LGBT organizing as the place of changing that. And that makes me sad. It’s not a good way of memorializing all of you who passed, whose lives were shortened because the U.S. was afraid of our beauty and so refused to show up when we were sick and dying.


© Susan Raffo 2017

Susan Raffo
Susan Raffo

Susan Raffo is a writer, cultural worker and bodyworker. In 1995, she edited the book Queerly Classed which is referred to in this essay. It was here where she met both Johnny and Bert and got to share a stage with them in New York after the book had come out. Since 2000, Susan has had a kid (Luca born in 2002) and has taken her organizing work into the overlap between healing justice and collective liberation. (Source: www.susanraffo.com)

“When Johnny reached out about this book, the first thing that I thought of was marriage. The year Bert died feels like such a turning point in how LGBT community understands itself and its struggle. The marriage debate might or might not be over, depending on politics, but its impact is still felt.”

THAT’S WHAT I BE MISSIN BABY

I knew when I thought it might be a short piece
that you might say, “I don’t do no short pieces”
but then I’d have to remind you
just cause you big and pretty
don’t give you the right to discriminate.
Big and so damn pretty.
Smile that sly smile
just once more
so I can go home
and remember it.
That’s what I be missin baby
That’s what I be missin.


© Bil Wright 2017

Bil Wright
Bil Wright

Bil Wright is a novelist and playwright. His is the author of Putting Makeup on the Fat Boy (Lambda Literary Award and American Library Association Stonewall Book Award), When the Black Girl Sings (Junior Library Guild selection), and Sunday You Learn How to Box (New York Public Library Choice for Young Readers and Coretta King Celebrating the Dream List). His plays include Bloodsummer Rituals, based on the life of poet Audre Lorde (Jerome Fellowship), and Leave Me a Message (San Diego Human Rights Festival premiere). He is the Librettist for This One Girl’s Story (GLAAD Media Award nominee and La Mama Playwriting Award). BilWright.com

Hey Bert

Hey Bert,

I moved back to New York. Nine years in Chicago – impatient, detached, restless, the dutiful son to his dead parents, obligated, filling the gaps with too many handsome distractions (my expiration dates?) – only to finally accept, you really can’t go home again. At least, I couldn’t. But, can you go back to the home you left home for?

Remember, it was early spring 1999. Mom had passed away nearly 4 years earlier and Dad’s prostate cancer, he’d neglected while she was ill, had become untreatable. I decided to return to my parents’ house in Chicago, as I said then, to reconcile a few father/son differences, care for him when he needed it and, maybe, heal some old wounds. Noble right? 

My being there made him happy. We got some stuff done before he died. 

But, it wasn’t the only reason I left New York. After 12 years, the city had finally worn me down and I didn’t know how to break from the deadly routine I was living. Could barely cope with all the ghosts: brothers from Other Countries* taken by the plague, our group of writers seemingly exhausted by the losses, my “marriage” that crashed and burned, a slowly fragmenting sense of community, and maybe the necessary hardening in preparation for being a full-on orphan had just become too heavy. 

We had lunch the afternoon before my flight. You were the last person I saw before leaving. Seemed only right. Having started off as rivals for the affections of a guy neither of us won; working together feverishly to publish Sojourner: Black Gay Voices in the Age of AIDS, before too many more contributors died without seeing their work in print; getting to be a guest writer in one of your classes, LOVED that!; being caretakers for our respective parents, exposing ourselves as a couple of hopeful, old romantics and comforting each other through those regrets and wrong turns, ours was a friendship of weathered survival. 

What I remember most is saying goodbye. You headed east on 14th Street and I headed west. I never mentioned it before, but I stopped, turned around and watched you walk away. The wind had picked up and blew a lot of loose newspapers in your direction. With the traffic, all the people out and about and the blowing papers, it looked as if you and the typical chaos of the city were a movie receding in the distance, and I had just written myself out of the script. 

Fast forward 18 years. I’d just been thinking about you the morning I got John’s email about this remembrance project so many years after your death. A coincidence I suppose, maybe not. There are any number of these Bert moments in my life. Some leave me smiling, some lonely or needing to talk. Can’t say what triggered it that time. They just come and I go where they take me.

One word: “Kwanzaa.” I know, right? Too funny. 

That morning, I was left smiling, remembering you joking about a consuming romance that had me all caught up in – what? – longing, exhaustion, frustration over empty nights waiting for my great love to return from his 6-month UNICEF assignment in Somalia. And there on a street corner, some warm West Village evening, you had me laughing at myself by imitating — very poorly I might add — my distant lover’s Chilean accented baritone calling my name. That memory is well over 20 years old, yet pulling it up still raises a smile, and that morning, some welcome laughter. 

What I can’t remember, though, is what that kind of heartache felt like. Walking through the day raw and exposed, brittle, about to crack, dazed, needing to cry or get drunk or sleep away the minutes, hours, days, months alone or with some substitute hero. It’s too far away to see or touch, but I can still laugh with you about it. 

These days, surrounded by boxes, bags, rolled-up rugs, displaced furniture and an upended water-color of Marrakech serving as a vibrant window screen, I’m settling into my 10th New York apartment. Brooklyn, of course. A layover on my way to somewhere else? – maybe. The rent is insane, and, yet, I’m paying it. Still not sure about “home” now that I’m back, or if I fit.

Last year, the Bronx Museum of the Arts presented Art AIDS America, “the first exhibition to examine the deep and ongoing influence of the AIDS crisis on American art and culture.” Among the paintings, photos, sculptures and other installations were Marlon Riggs’ Tongues Untied projecting our younger selves on the wall of a passage that led into the larger exhibition space, and Robert Penn’s 2011 25th anniversary visual compilation, Art from Adversity, celebrating our Other Countries family, projected in another room.

Yes, the enormity of those years must be faced squarely and honestly, and can never be forgotten. But, it is no less disconcerting to see people I knew and loved exhibited as if part of a lost civilization.

Nevertheless, there you were, in a clip lifted from the 1989 video Acquired Visions. You spoke of your greater concern with “the issue of living as opposed to the issue of dying of either AIDS or any other illness or pathos that we as black people and black gay people have to be confronted with…” You said that specific concern with “living” helped you be “a little bit more centered, a little bit more grounded…”

So, the next month when I received my own prostate cancer diagnosis, I heard you. The doctor, a very nice man, was properly sympathetic, though a bit longwinded. While appreciative, I was a bit short, “Are you trying to say I’ve got cancer?” He was. 

I studied my options and chose (thank goodness for NYC employee health insurance) a cutting-edge, minimally invasive, short-term radiation procedure that promised few (if any) side-effects, exclusive to the Memorial Sloan-Kettering Cancer Center. The machine was kinda cool. I was anchored to the treatment table by a plastic mold of my lower torso and the technicians played jazz music (at my request) while I got zapped. I slept through two of the five treatments. We finished up in February, showed good results in my follow-up and I’ll check-back again this December.

With all that radiation, though, hoped some latent mutant super-power would have manifested by now. No such luck. 

I’ve lived alone a long time. If I don’t do it, it won’t get done, has been a guiding principle for most of those years. It’s how I handled the cancer treatment, scheduling it in between work, picking up the dry cleaning, tuning-up the car, recycling on Wednesdays, getting a haircut, it was an appointment, a chore, just another thing to get done. In fact, I told very few people about it. Didn’t see the point. “He’s the independent one,” my parents’ used to say. Old habits die hard. 

Eventually, though, I stepped back from Monday thru Friday/9-to-5 monotony enough to make some space and get some distance from it all. Trying to be good to myself in ways I often am not. 

That idea of space, making it, claiming it, taking it in our grief or whatever struggles we may confront, is something you taught me. I share it repeatedly, but sometimes forget to listen. So I’m now finishing this letter from my fiancé’s apartment in Hattiesburg, Mississippi. Yeah, you heard me right, Mississippi. Finally took a couple of weeks for me. 

Oh – yeah – fiancé, complete with a major southern twang. We’ve now got official, joint income tax, legal in all 50 states, though not everybody’s cool with it, marriage equality.

His name is Wayne. My sweetie was right there for me throughout the whole cancer thing. We met at the Adodi** summer retreat back in 2012 and are planning to “jump the broom” next year. Small ceremony. Nothing fancy. And, that’s where the new apartment comes in. He’s soon moving to New York.

Usually when I find myself smiling, it’s about him. And, Bert, he bakes. His German Chocolate Cake is amazing. Even got me in the kitchen working on a recipe or two. He also insists on working-out. There go my plans for growing old, fat and happy. But, two out of three is pretty damn good.

Home? That’s the idea. 

By the way, 2018 also marks the 25th anniversary of Sojourner. I think we’ve got some work to do.

I miss you.

Allen

September 2017 Brooklyn, NY

P.S. About two blocks from the house in which I grew up, lived Illinois’ ambitious Senator with the funny name and his family. You’ll be hearing more about them I’m sure. 

* Other Countries: Black Gay Expression is the NYC writer’s collective, founded in 1986, where Bert and Allen met and spent several years collaborating on publishing and performance projects.

** Adodi is an organization founded in Philadelphia in 1986 in response to the AIDS epidemic to support same-gender-loving men of African descent. It now has chapters in Chicago, Detroit, Philadelphia, New York, Washington, DC; and a faction representing the nation’s southern region.

© Allen Luther Wright 2017

Allen & B.Michael, OutSpoken, B.Dalton Bookseller, Sixth Ave + Eighth St, Greenwich Village, Manhattan, 05 October 1994
From Left to Right: Steve Williams, Robert E. Penn, Robert Vasquez-Pacheco, Allen Luther Wright, Bryan E. Glover, Nhojj Song at Art AIDS America, Bronx Museum, 2016. Photo: Joey B. Pressley
Allen Luther Wright
Allen Luther Wright

Allen Luther Wright, born on the Westside, raised on the Southside, lived on the Northside, only side left was East, but that was Lake Michigan. Allen left Chicago for New York to join Other Countries: Black Gay Men Writing. He now lives with his soon-to-be husband, Wayne, in Croton-on-Hudson. His work can be seen in the Lambda Literary Award-nominated anthology Black Gay Genius: On Joseph Beam and In the Life (Vintage Entity Press, 2014); and has appeared in numerous publications including BLOOMMagazineonline.com; Corpus, the art and literary journal collaboration of AIDS Project of Los Angeles and Gay Men’s Health Crisis (2004); the Lambda Award-winning anthologies The Road Before Us: 100 Black Gay Poets (Galiens Press, 1991); and, Sojourner: Black Gay Voices in the Age of AIDS (Other Countries Press, 1993) and for KICK – The Agency for LGBT African-Americans (Detroit, Michigan, 2010).

Other writings were featured in the first Other Countries journal: Black Gay Voices (Other Countries, 1988); and as part of the Lifestyles Genesis teaching guide sponsored by the Black Leadership Commission on AIDS (1991). He also co-wrote Kevin’s Room, Part 2 (KR2): Trust (2003) and Kevin’s Room, Part 3: Together (2007), the provocative, educational television productions of Chicago’s Department of Public Health, featured at numerous film festivals, including NewFest: The New York LGBT Film Festival. Allen is also proud of his small but significant role in Tongues Untied, (1989) the late Marlon Riggs’ award-winning and congressionally condemned documentary. Allen is presently shopping STAGED, his full-length play about love, grief, chosen family, ambition, and second-hand drag. Photo: Olubode Shawn Brown

Art, AIDS, America: NYC Black Gay Men Fight AIDS since 1980s

Robert E. Penn, Voices Rising Book Launch, January 20, 2007
Click the image to stream on Vimeo, See 7:48-8:44

Good evening,

Cary asked me to say a few words about my personal history with Other Countries and my friendship with B.Michael Hunter. Thank you for this opportunity to reflect upon life “in the life.”

Growing up in the fifties and sixties, straight talking was the norm. I learned at age four, when my first “little boy friend’s” older brother caught us hugging and kissing, that I had to repress my innate desire for another boy. I did my best to walk and talk heterosexual, but I always wondered if I got it right.

Clever colored contemporaries compared my bookishness to our smartest girl classmates or white boys, who could “afford to be ‘funny.'” Some brothers promised they would kill the first “sissy” they met and others laughed behind one Boy Scout’s back because his favorite color was bright yellow. I joined in and joked about the bright yellow boy: He had to be “one.”

I grew up fearing black men who preached the Lord’s damnation on boys “like that”

Reached adolescence lusting for handsome males in neighborhood or school but dared not act

I wanted one other brother to go ahead let me hold him and enjoy holding me through the night

But none of us could, or would break animated suspension that seemed itself to protect life.

Manhattan in 1975, promised artistic community, a fortune and at least one other everyday, black man who could and would fall in love with me as hard and long as I did him. I met my first New York brother at the Christopher Street piers. He introduced me to his parents, but our thing did not last.

I befriended two men of African descent at Man’s Country, before that bathhouse became an early casualty of New York City’s over-reaction to G.R.I.D – Gay Related Immune Deficiency. I visited one of them, Harry Burrison, at the hospital in 1982 or three, when doctors examined his swollen lymph nodes and wondered what his condition could be. He died of AIDS in August 1987.

I had already tested HIV-positive in December 1985: The combination of Harry’s fatality and this “dying man’s” wish to connect with other gay “brothaz” brought me to an early meeting of Gay Men of African Descent. I think it was at the home of Rory Buchanan, who told me about Other Countries. I did NOT want to hear a critique or even read in public, but I NEEDED to meet more black gay men involved in self-expression. I attended the next workshop and have never looked back!

Allen Wright, Ali Wadud, Cary Allen Johnson, Colin Robinson, David Frechette, Donald Woods, Len Richardson, Yves Lubin (a.k.a. Assotto Saint) and B.Michael Hunter were among the first I met at Other Countries’ Saturday afternoon sessions.

B.Michael Hunter — Bert, except in print — could compete on all significant levels: face, brains, wit, body, talent, black consciousness, sensuality, readiness to work, loyalty to family and friends, community commitment — staying out remaining proud . . . and hair.

I remember hearing Bert perform with Sheilah Mabry at an Other Countries presentation. They traded passages that recreated sequences from their shared childhood as lesbian and gay cousins. I wanted their experience.

Bert met many young, college queers during Other Countries performance tours. In 1994, he introduced me to one: a 21-year old black, gay poet, John A. Frazier. A few months later, John gave me my first ever father’s day card.

I remember Bert’s brilliant smile and broad laughter. He put anger in his poems and a lot of hope, too. For example, “Every time a brother I know / Dies from AIDS / My dick gets hard.”

I remember speaking one-on-one with Bert, about seven years ago. He was debating whether to start taking anti-HIV medications. There was no clear answer. There still isn’t. I described treatment modalities I had researched and detailed my personal combination of allopathic and alternative therapies. He listened, but left undecided.

The last time I remember hearing Bert recite his work, he stood before a small crowd at Cornelia Street Café and intoned as-yet unpublished verses about swimming in the Caribbean.

It is my favorite B.Michael Hunter poem. The narrator, swimming off the coast of Barbados, suddenly gets tired. He goes under: once, twice, three times. Just when he believes all is lost, he sees a black man tossing a life preserver to him. His mind hesitates, but his body grabs hold. Once pulled ashore, catching his breath, the storyteller admits, “I didn’t think a black man could save my life.”

It sent and still sends chills through my body. In the closely-knit, God fearing, upstanding, self-righteous Black community, I often felt a black man rebuke me, deny me, make fun of me or abuse me. I never thought a black man would want to save my life. Before I found New York City’s black gay community, I feared a brother would someday attack me and beat me beyond recognition. Who would have thought black men would save my life?

Yet, here I stand today with the women and men of Other countries celebrating twenty years of selected writing by black LGBTs and all of our lives; paying tribute to one who put his effort and money where his mouth was. Bert Hunter devoted years of his life editing the second Other Countries volume, Sojourner: Black Gay Voices in the Age of AIDS. His bequest made both the publication of Voices Rising possible and this book party necessary. Without his generosity, this third anthology might still be in development. In Bert’s honor, let our memories grow longer and deeper so that, as Cheryl Boyce-Taylor’s poem for dead sons insists, we “never forget, never forget” our ancestors, young and old, upon whose shoulders we stand today in love and dedication.


© Robert E. Penn 2007

The Audre Lorde Project ~ B.Michael Hunter Legacy Circle

Sustaining The Audre Lorde Project (ALP) for years to come requires passion, commitment, and planning on the part of a broad collective of individuals. One of ALP’s founding board officers, B.Michael Hunter — whom we knew as Bert — embodied all three of these values and encouraged the community that is ALP to support its mission-critical work by 1) making regular financial gifts to ALP and 2) drawing up our wills, no matter how little or much we perceive we have.

Ashes to Ashes

John Manzon-Santos happened upon this brand of cologne, which he believes he either gave to B.Michael (born April 15) as a gag gift, or came across after his death. It became the perfect amphora in which to send to Colin Robinson some of B.Michael’s ashes for scattering off the coast of Trinidad and Tobago. Colin later reported that, after snapping the above photo and dispersing the ashes that day at Maracas Beach, the bottle got swept away along with a brand new coveted pair of eyeglasses. Colin later wondered if B.Michael was playing a trick on him!

Northeastern University Magazine ~ Obit

B.Michael Hunter is listed in the 1980s section under Alumni Deaths.