Bridgetown

“So Mr. Hunter, at what point did you realize you were in trouble?”
A fictitious reporter asks
Over and over in my head.

“At what point?”

In the Barbados waters
Swimming on the Atlantic side
This Island/Nation
Skies clear
Air dry.

“At what point?”

April 4, 1989, 21 years to the day
The Prince of Peace
Shot dead on a Memphis hotel balcony
By some white man
Helping those who
Don’t want niggers to have shit.

“At what point did it seem that danger was abound?”

Was it the lapse of time?
The absence of children’s voices,
Vendors’ bells selling ice cold drinks
Local souvenirs?
Or was it the sight of blue?

I taste water
Salty
In my mouth
I gag.
I go down.
No longer above water.
My hair is wet.
My eyes open, but I don’t see shit.

I concentrate
Get back to shore.
Then the tide goes in or out.
I don’t know. I’m not sure.

My head above water
I see rocks
Hear the waves crash
I think, Oh shit, I could bust my head
On one of those rocks.
But I’m not afraid.

I tread water
Locate the shore
Catch my breath
My bearings
The tide goes in or out
I wonder if this is fiction or non-fiction
I remember, I’m always confused about the distinction
So I say “fiction=fantasy.”
I, I hope that’s what this is
Then I go down.

But I’m not afraid
Cause you always have three chances
My life wants to flash before my eyes
But my ass wants to sit down
I go with my ass, legs and arms
I tread water.

First I need to swim away from shore
Then parallel
Away from the rocks to calmer water
Back to shore.

Then comes this brother
Chestnut brown
No darker than my own father
With terror on his face
I’m in control now
I think, I’m trying to save my ass.
Ten feet away
He treads water
He doesn’t say a word
I’m about to swim out
To calmer water
But I ask him
With obvious condescension in my voice
“What do you want?”

He says, “Here, catch!”
And throws me a buoy
My reflexes kick in
But this does not fit into my plans.

I realize he wants to help
I think, Maybe this is a better plan.
We start to shore
I realize he has a rope on the buoy
Attached to another buoy
Tied around his waist
I realize he has on scuba flippers
We are five minutes into it
But we have not moved anywhere.

Then comes another
Black man, my complexion
He’s wearing more of the same gear
Less the buoy with the string.

Now I start a strong scissor-kick
Stroke with my free hand
The three of us
Start to make progress
Fifteen minutes later we are on shore.

People gather around
I’m embarrassed
Start to make jokes
In the office they take my
Name
Address
Birthdate
“Are you sure you’re ok?”

I tell them of my plan to save myself
The first guy remarks,
“Oh that’s why you hesitated to grab the buoy?”

I leave the office
And think, Damn! It never occurred to me that a
Black man
Could ever save my life, that a

Black man
Could ever be a lifeguard.

I should have realized I was in danger
When I first went down
Or maybe
I should have realized I was in danger
When we didn’t move for five minutes
But I only realized I might be in danger
When we were joined by the second man.

Or should I have realized I was in danger the first time
I switch my seat on the train when
Black teenagers board
Or when
I talk soft, so as not to frighten women
Or when
I cringe when I hear Black English within
Ten feet of some apparent outsider’s ear.

Or when…
Or when…
Or when…

I realized that I had internalized the hatred
That goes with self, when so many forces around you say:

“A Black Man Ain’t Shit!”
“A Black Faggot Man Ain’t Shit!”


© B.Michael Hunter 1991

The Thousand Words

“Talk to me.”  “About what?”  “Anything.”

I had gone to Philadelphia to visit Ron an old lover. “Talk to me.” I whispered. We were about to go to sleep and had spent the entire day together crossing bridges, healing, dealing with real emotions, the hour already early AM. I had not seen Ron since we both lived in Boston years earlier, so I had not been to his apartment in Philly. Actually he has an artist loft, furnished with assorted tools, supplies, finished projects, technology and both a futon couch and a four post single wood bed. I was surprised when he opted to sleep in the single four post bed. Now I’m not one to lie, driving down from New York City the whole 2 hours I fantasized expected that we would, well, sleep together. Never mind the four year gap in our communiqué nor the voice I heard, Bert you already have a lover, what are you trying to do. Well that’s true. But I needed, wanted to hear his breath, feel his pulse. “Talk to me.”  “What do you want me to say.” We chatter a few more seconds about this and that. “Ron.”  “Yes.”  “Can you come here and sleep with me tonight? Nothing sexually, just sleep with me.”  “O.K.”

Is he weaker now? His breaths are short, quick burst. We can not find a rhythm, we can not find the right timing. I signal with my chest snug against his back, fetal to fetal, locked frames. Breathe in, breathe out, I can feel his pulse. As we touch, (personal note explore the entire sensation as well as the mental notes before just saying his touch made me hard) my body does not obey me, and I’m unable to hide my erection. Shit let him feel it, let him know of my goddamn lust. No I’m not ashamed of my desires. Yes he feels good, familiar, I exhale slowly smelling his skin, his scent, known to me from some time past, brings comfort. As time permits the pattern breaks, with him I usually make the first move. Habits really when we were both boys, now we are men. His halting breaths short, deliberate, betray me. Brings me back to why he called, after so many years. Who but time could play such a trick?  “Are you all right?”  “No, I’m still in pain.”  Is there anything I can do for you?”  “No. It will go away. Thanks.”

Inside I start to cry, stripped naked left on the side of the road. This too is familiar, holding lovers, brothers unable to offer anything more than words of assistance. We lay there, sharing time, for the thousand words we have yet to say and the thousand words left unspoken. I readjust my position, no longer trying to match his breath, and send my spirit through the air. I reminded of thoughtful, consistent, reassuring love, with this I try to touch his future, and fall asleep. In the morning he reminds me how I snore, how my snoring kept him up all night, a familiar yet forgotten issue.

I wonder did he watch me sleep like I’ve watched him. Beginning a time, when in simple gestures, you give of yourself, something real and treasured. I slowly turned to him, kissed his forehead gently and thanked him for calling me.

© 1991 B.Michael Hunter

Shades of U

U B
MIDWEST HOMEGIRL
TALKIN’ BACK
GIVIN’ LESSONS
A LONE SOLDIER
BRAVE
SOME SAY A CRAZY _ _ _ _ _
IN A WAR
WHERE THE PENULTIMATE WEAPONS
ARE TALKIN’ MINDFUCK MACHINES

U B
LIVIN’
AMONGST THE WALKIN’ WOUNDED
SOME SAY AN EVIL _ _ _ _ _
WORDS FLOW
OUT YO MOUTH
LIKE TIDAL WAVES
SO IT AIN’T JUST-US

MIDWEST HOMEGIRL
MOTHER’S DAUGHTER
‘MINDIN’ PEOPLE THE 13TH
SET US FREE
MOTHER
TO YOUR SISTERS’ CHILDREN
ALWAYS ON THE RIGHT SIDE OF
ALL THE ISSUES
LEFT OF CENTER

U B
MIDWEST HOMEGIRL
TALKIN’ BACK
GIVIN’ LESSONS
A LONE SOLDIER
GIVIN’ LESSONS
TALKIN’ BACK
MIDWEST HOMEGIRL
U B


© B.Michael Hunter 1990

Written in honor of Denise Carty-Bennia, B.Michael’s mentor and friend. He delivered this poem at her memorial in 1990.

1990J11-celebration-of-life-denise-carty-bennia

Borrowed Lines — As Told To Me

Performed at the Lesbian & Communities’ Congratulatory Ceremony in Celebration of Dr. Marjorie J. Hill, Director, Mayor’s Office for the Lesbian & Gay Community, on Tuesday June 12, 1990, at the NYC Lesbian & Gay Community Services Center.



I’d like to thank the Planning Committee for including Other Countries among the many diverse people in our community to welcome and celebrate Dr. Marjorie Hill’s appointment.

Other Countries is a community dedicated to affirming and documenting our experiences as Gay Men of African Heritage.

Our goal is to create a visible and enduring cultural institution committed to nurturing and preserving our creative expression through presentations and community outreach.

We are currently in our fourth year and thank all of you who have supported us in so many ways, for the encouragement.

In tandem with that support, we are conducting an open reading this Saturday from 5-10 pm. Most of my work this year has been in understanding difference and myself. I’d like to share with you a short poem which recognizes the many written works that have helped in directing my anger in constructive ways as well as shaped and healed my life. You could call it Quotable Titles: A Bibliography, or simply, “As Told To Me.”


They say the child was born
With a veil over his head

A darker brother
Livin’ among the things that used to be
In the spirit
And the flesh
Of Africans __________ mi madrina __________native sons __________buried hearts and
Wounded knees

Each night __________midnight birds pass by his window
Singin’ ________ songs of Solomon ________ serious pleasures ________ coyotes
Flamingoes ________ bears dew locks ________ salteaters ________ homegirls
handgrenades
His bondage and ________ his freedom

He speaks of
_______ Black Indians
__________ ___  Chinese Doctors
__________  _________  Sisters
__________ __________ ____   Outsiders
Lives before
The Mayflower _____ and _____ Columbus

He speaks of
The evidence
Of things not seen

If the beginning of all circles is also the ending
Let the circle be unbroken

Voices in the whirlwind
No longer at ease
Gather together in his name

Speaking in tongues
On the mountain
Untied

They say

“In this life, as you travel through other countries.
Remember — some of us are brave and will always
support you on this bridge called our backs!”


© B.Michael Hunter 1990

1990H-center-voice-marjorie-hill

Palm of My Hand

If I had one dream in the palm of my hand
It would be to see tomorrow

If someone questioned me
And asked me to say
What would you hope for
My reply
simple and sweet
is to see tomorrow

Now there is some joy
in knowing that you had
the joys of today
It’s good,
to be in the moment
look back over what has been
but the thought
of facing yet another day
now that’s some joy
I want to have

So I will say
simple and sweet
I’d like so much
I’d like so much
you can be sure
I’d like to see tomorrow
I’d like to see tomorrow


© B.Michael Hunter 1990

“It’s 11:10 on the 5th of June and I’m trying to record — no, I am recording — the melody to a song that I just wrote the rest of the words for. I wrote the first line about a week or two ago and it goes like this …”

Below, on the back of a 4″ x 6″ index card, is where B.Michael wrote the “first line” along with the “rest of the words” for Palm of My Hand.

1990-palm-of-my-hand

On the front of the same index card is a single line: “Know my hand has taught the waters …” Or is it: “Know my land has taught the waters …”? Wondering if B.Michael auditioned this lyric for the same song or as the seed of another.

To all of you within earshot of B.Michael’s voice, what song or poem emerges for *you* in this moment with this ancestor’s line as a prompt?

1990-palm-of-my-hand-B-side

Allan Robinson, AIDS Activist

I met with Allan on November 29, 1989, at Hunter College School of Social Work, where he was working at an alternative treatment AIDS project. I was gathering material to use in “Acquired Visions: Seeing Ourselves Through AIDS,” an Other Countries program performed on December 1, 1989, at Studio Museum in Harlem as part of the efforts of New York City artists involved that year with “Visual AIDS: Day Without Art” and the World Health Organization’s AIDS Awareness Day. Our purpose was to document, through an assemblage of poetry and prose, our changing response to AIDS — from terror and helplessness to empowerment and healing.

I chose to meet with Allan because he was one of the few men I knew who was an active member of both Gay Men of African Descent (GMAD) and ACT UP (AIDS Coalition To Unleash Power). He marched down Fifth Avenue with GMAD in the New York City Gay Pride March, and up Adam Clayton Powell, Jr. Boulevard in the African-American Day Parade. He was also very visible at many ACT UP demonstrations. I would run into Allan every other week or so at some meeting, lecture, or watering hole where we would scope “the boys” and update each other on what was happening in “our communities.” When Allan and I met, I was prepared to interview him in a traditional fashion; he, however, was waiting to tell a story. After turning on the tape recorder, I was able to ask him one question: “Tell me about your family and how you became a member of ACT UP?” His response filled the next two hours. I nodded and interjected with a few “Uh-huhs.” I even got in a few “But whys,” and “What do you means?” Although not a complete transcription, what follows is the only written account of our November meeting. Allan died in 1991.

I’m from New York City, my father is Jamaican and my mother’s American. I was born in Harlem and raised in Clinton Hill. Actually, my parents helped integrate that area. The area around Pratt Institute was in transition (i.e., the white flight of the ‘50s and ‘60s and not the gentrification of the late ‘70s and ‘80s). Neither the ethnic Italians nor Irish exactly welcomed us.

In the summer of 1968, the year Martin Luther King, Jr. and Robert F. Kennedy got shot, I went to my first demonstration protesting the Vietnam War. I was 15 years old, very confused about what was going on and very rebellious. I think I was like many young Black men who had gone to Catholic grammar and high school. It was a crazy period because I didn’t know any gay people, but I knew what was going on, since I rarely dated girls. I had had one affair with an altar boy, and another with a friend of mine when we were kids like several boys do, but there was no love nor self-esteem involved in either of these relationships. I learned about “Gay Life” in New York by stumbling into a subway bathroom where I saw men having sex.

In 1971, during my Sophomore year at Rutgers University, I came out with the help of the Rutgers Homophile League, (which I understand to be the first gay campus organization). I came out, not just in style but with support and love from some young and older gays and lesbians. I need to interject something: I had this concept that I was very ugly before I came out. I think that ugliness is something a lot of Black people go through. It was gay men who told me for the first time that I was beautiful, or that I was handsome, or that I had a wonderful body. Gay men I would meet just walking down the street helped me with my self-esteem. Just having someone whistle, or make some kind of ultimately sexist comment helped. Sometimes there were flattering comments, namely what people would say to me when I was intimate with them. (Laughter.) You know, I actually suspected that was an easy way for them to get me in bed. And sometimes it was. Interestingly enough, I overheard someone in an ACT UP meeting, a white man in the group bragging to his white counterparts, that whenever he wants to meet these young cute Brown and Black men, he just walks up to them and tells them, “You’re beautiful!” He said it works every time.

After Rutgers, I came back to New York and joined the Gay Activist Alliance (GAA), which, I suppose, was everyone’s exposure to “the Gay Politic,” whatever that is, at the that time. But it was still party time as far as I was concerned. I mena, I was about 21 years old or so, and it was all new to me. It was exciting! See, I didn’t much get involved in all of the politics. I went to and participated in some of the early gay day parades. It was great to just meet other gay men who where aware, to celebrate our bodies, whether it was in dance — which I did a hell of a lot of — or seeing our numbers on the streets. Certainly, most of the young Black men I knew on the street and in the clubs were not concerned about gay politics. I mean, the ones I formed bonds with. I really did not know politically-minded Black people unless it was in the traditional Democractic Party politics. During all this time, I was still going to other political events — Central America, South Africa, Angela Davis, and Lord knows what else! I went to the demonstrations and events because I sensed that, for a while, we really could make significant change. We as a people. There was that energy in the ‘70s, that we would change the world. That the world was changing. I also went to those demonstrations to register my body, and usually there were only a handful of Black and Brown people in attendance — even at the South African protests — unless they were indeed orchestrated by Black and Brown people. At the time, I really didn’t understand our absence at those events. I think I have a better understanding now, as a result of my involvement with ACT UP, both in ACT UP’s AIDS and gay and lesbian contexts. Let me back up a little. In 1982, a few months before I moved to San Francisco for a year, I went to my first forum on AIDS. It was held at NYU. There were a couple of person’s names I had recognized from the Fire Island party scene who had died of AIDS. The early deaths from AIDS were both shocking and big news. Outside of these instances, I really didn’t know anyone who had AIDS. Anyway, present at the meeting were people like Larry Kramer, Paul Popham and others who became the nucleus of those who formed the future GMHC (Gay Men’s Health Crisis). There were maybe 600 overwhelmingly white men present. I think Matilde Krim may have been there, and others, at least from a neuropathic point of view, pioneers in AIDS research. The people from NYU showed photographs of people with Kaposi’s sarcoma lesions. They also had overhead projections of just how many men had died of AIDS and had used poppers, ethyl chloride or claimed to have taken acid, or had engaged in anal or oral sex. I got the feeling that most of those present, as a result of their early concern and participation, thought that this was going to be a temporary crisis, that life would go on as it had been, and that the crisis would not get bigger than what had already happened. I think that participants believed that they could be back at The Saint or Fire Island or wherever it was that they were going to continue to hump and play. Sure, there would be some initial painful losses, but they would be gotten over.

Around this time, I became tired and discontent with New York City, so I escaped to California. I called my sojourn, “A Spiritual Creative Sabbatical.” I wanted to be closer to nature. As an art photographer, I also did some group landscapes. After a few months in California, I began hearing from transplanted New Yorkers about people I knew who were dying. I went to the first candlelight AIDS vigil in San Francisco. It was moving, very moving. There were lots of tears. I began reading the gay press out there. The front page of The Bay Area Reporter would be talking about Gay-Related Immune Deficiency (GRID), but throughout the paper there would be numerous advertisements for poppers. Certainly, there was thought to be some relationship between poppers and people getting GRID. I thought how dare they do that, not just the ads for poppers but all the ads promoting hustling. I was furious! I wrote letters-to-the-editors calling them all sorts of slime, hypocrite death merchants and the like. They would never print my letters and they would never respond. In San Francisco, I got another taste of how gay white men could also be my enemy. Even though this disease was affecting gay men, I began to realize that gay men are as capable of profiting from people’s illness and death as much as anyone else. Bars and bath houses all over the city were selling poppers and other nitrates. The boys had gotten it down to a science. There were upscale bars on Castro Street and South of Market that had the name of the bar on each individual emery board (to allow patrons to file their nails before fisting someone) and container of Crisco. These same bars, some of them to this day, could not bring themselves to put a dish of condoms on their bar counter.

In 1983, I came back to New York City. I never felt San Francisco was my home. I mean, it was beautiful. There was a moment when I felt very comfortable there, when I didn’t think of New York constantly. I met some lovely people but there was energy in New York that was missing in San Francisco. Blacks were not in San Francisco in large numbers at all. In Oakland, yeah, but Oakland is not like the gay thing. I came back mostly because I realized I was getting homesick, since New York City was both my hometown and my gay point of reference. Once here, I tried to get involved. I called the then fledgling GMHC to offer my creative services. They asked me, “What could you do?” I told them, “I’m an artist, I’m Black blah blah blah.” They just didn’t want to deal with me. I could have pushed GMHC to be a buddy or something, but sheer fright of death prevented me from going any further. Not only were there friends that I was never to see again, but I found out that people died months after I got back. In some instances, I found out about their deaths years after my return. There was a period that the amount of deaths were so shocking that I would break down and cry. There were just waves of deaths. To this day, I continue to lose friends and hear about their deaths after their funerals. Even in the last few years, when people have been living longer or feeling better like Philip Blackwell, the playwright, or Walter Holiday, the actor, I still hear after the fact.

You know, just two years ago, I was sitting with both Philip and Walter at The Bar on Second Avenue and Fourth Street. They actually had been chipper about their illness. I think they both had had a bout of pneumocystis. I joked with them that I would write a piece called “The Gay Dog Food Company.” In the play, those of us who were survivors of the crisis would round up all the people who really fucked with us. We would round up the medical establishment, politicians, racists, the gay bucks who sold poppers, Koch and Reagan and turn them all into dog food.

Another strange thing I noticed in ‘83 was that people were only talking about white men and AIDS. I had known just as many Black men who were becoming ill from AIDS. Many of the Black men I knew would die soon after being diagnosed with KS or pneumonia. I think many of them hastened their illness by doing large amounts of cocaine, specifically freebasing coke. Including Walter, Philip, Tony Scott, Harvey Maclamore, I can name many people who were involved in things and activities that hastened their illness. That is rarely discussed. I actually started to remember all the names of all the people I knew that had died. I wrote the names down to actually sort of use for the salutation to the dog food play. Oh my God, it was ridiculous! Thirty names actually occupies the same space as thirty words and yet, it reads for hours and hours. Three-quarters of the names were Black. I think we’re going in record numbers because many of us get to health care far later than we should. Many of us tend to discover the illness when it has done irreversible physical damage and we emotionally cannot muster the self-esteem necessary to live longer.

I wasn’t being judgmental when I made the comment about the cocaine, because among those I named, friends and foes, there were some dynamic individuals. When I look back, half of the Black men in the group (some people won’t want to hear this) did not have intimacy with other Black men. They were always struggling with that. Also, some of them who did have intimacy with Black men, always preferred white men. I’m talking from a spiritual standpoint of how chasing white boys, whether in the bars or on Fire Island, could have helped prolong their lives. I certainly don’t mean dealing with or wanting white men is a co-factor for death; only that things exist which make us think that we as Black men are not worthy of love. If a Black man looks in the mirror and the deity doesn’t resemble him, he may look at another Black person and be unable or unwilling to feel love. A positive self-image has to be a major factor in one’s health, in one’s well-being. I’m not sure if there is any scientific basis to anything I’m saying, but I would trust my observations before any social scientist’s.

Then in 1987, I joined ACT UP. As always, I kept my distance. At the first meeting I attended, there were about 500 mostly white men present. An energy in the room made me go back, again and again. There were so few Black and Brown men in the organization that people kept approaching me. They would look to me, kind of feel me out about various issues. Then I sort of jumped into the organization and sat on the Majority Action Committee. Unlike other times, I got more involved because the issue was so close to home. I would hear them referring to us as this generic thing, “people of color.” I realized that there were people there who didn’t even know Black people. I would actually hear other Black and Brown people refer to our people as if they were talking in the third person. Outside of all my criticism, I found an energy in the organization that was frankly exciting. That energy helped me deal with the loss, anger, and the frustration with societal indifference I was encountering. I think that, in retrospect, ACT UP has satisfied that need for many people. So many people need that kind of conduit to deal with those feelings. I don’t want to criticize that aspect of the organization.

I did, however, begin to get very frustrated with ACT UP. The one thing I had never done was to become involved in the inner workings of an organization. I was highly visible. People calling me, always looking to me to be “the Black man.” I noticed very early on that had it not been for the health crisis, many of the white men I came in contact with would not think twice before returning to their old misogynist ways. As white men, they would not think it was their responsibility in life to change the status quo with regards to racism, sexism, and certain other social concerns in this country. One of the things I picked up, especially among the upper middle class, is that they were goddamned angry. They were angry because they thought they had everything — trips to Brazil, Fire Island, hanging in the clubs, boyfriends, drugs, money, and living perhaps on 81st Street and Central Park West. They were angry because they were being treated like everybody else.

I think Black and Latino men and women really have to process on becoming involved in civil disobedience. When I got arrested at Stephen Joseph’s office, I wondered how the cops would have responded to ACT UP if we had all been Black and Latino. Fortunately for me Ortez Alderson, a close buddy of mine, had also been arrested and we provided support to each other politically and spiritually through that action. Frankly, most of the so-called “people of color” in the group, with rare exception, could not relate to Ortez or me. They found us, to use the ‘60s vernacular, “militant.” So did some of the white men, actually so did a few of the white women. One of the things I attempted to do, because I love to plot, was to get the Majority Action Committee and Women’s Caucus working closer together. I thought such a coalition would work well, as a political means, to deal with these white gay men. It actually worked for a little while. Folks knew exactly what was happening and they did not like it. I heard a story about the first time I came to sit on the Steering Committee (the ultimate decision-making authority of ACT UP). One of the most prominent members of that organization, a white man, who sits on that committee, said, “I’m not about to allow him to come here and have us feel guilt for 400 years of what he has experienced.” I supposed that’s what he saw me as and the only thing I was bringing there. He was not going to allow me to have them feel guilty and to deal with racism. It was one of his best sisters who gave me this information. Prior to that, I thought I was being too sensitive, that the stick I was feeling up my ass was my own creation. It wasn’t, thank you!

I was active in ACT UP and concerned about AIDS even though I knew I was HIV-negative, at least that’s the way I tested. Then, in the spring, I tested HIV-positive. I didn’t exactly handle it the way I thought I would — I was shocked. I went off. I stressed out, and felt empty, lonely, and detached. I was asymptomatic but I still considered suicide — I even wrote out a note. Real drama, real, real drama. I made myself dream a solution. I realized that I had lost touch with who I was. As far as I’m concerned, there would still be life, there would still be consciousness. Also, there are people in my life that really care about me, that I love. I really enjoy living, trees, touching and I love all sorts of physical things. I think I said to someone that I was going to live to spite a couple of people. Life is my birthright, it is the earliest and fondest wish of my parents. I created new dreams and even envisioned myself as some stunning, unfettered, lovely 80-year-old man, with an adobe home in the Southwest surrounded by men in love. As Black men, when we view ourselves holistically, HIV really doesn’t mean that much. It means as much as everything else — racism, poverty, inadequate health care, homophobia, etc. I think to heal ourselves of all of this, we must continue to talk to each other.

Oh, what time is it? If I don’t go, I’m going to get in trouble. We have to continue this.


© B.Michael Hunter 1989

Stonewall at 20

Performed at the Hallwalls Gallery in Buffalo, New York

I THINK IT’S FITTING
I THINK IT’S FITTING
THAT WE OPEN UP TONIGHT’S PROGRAM
I THINK IT’S FITTING
AND I’M HERE TO TELL YOU
I’M HERE TO TELL YOU
SO THAT YOU DON’T FORGET
THAT BLACK FAGGOTS
OUR OWN ROYALTY
BLACK FAGGOTS
OUR OWN FATHERS
BLACK FAGGOTS
DRESSED IN WOMEN’S CLOTHING
WERE THERE
AMONG THE RUCKUS
THE FLYING BOTTLES
THE CAT CALLING
ON THE FRONTLINE
I THINK IT’S FITTING
STANDING IN DEFIANCE
GIVING LESSONS
READING (SNAP)
GIVING MALCOLM / MARTIN TESTIMONY
I THINK IT’S FITTING
SO WE DON’T FORGET
THAT BLACK DRAG QUEENS
ACTING AS A CATALYST
A RAY OF HOPE
A VOICE BEFORE UNHEARD
WERE THERE
IN THE BEGINNING OF “THE MODERN LESBIAN AND GAY MOVEMENT”
WHEN I’M ASKED
WHEN I’M ASKED
TO IMAGINE STONEWALL
TO THINK ABOUT WHAT IT MEANS
I CELEBRATING MY 20TH ANNIVERSARY ON THIS EARTH
MY BIRTH IN THE RIOTS
WHEN I’M ASKED TO IMAGINE STONEWALL
WHAT IT MEANS TO ME
I THINK ABOUT HOW I’LL BE REFLECTED IN HISTORY
SO I THINK IT’S FITTING
THAT WE OPEN TONIGHT’S PROGRAM
I THINK IT’S FITTING
THAT WE PAY HOMAGE TO BLACK AND LATIN DRAG QUEENS
WHO WERE ON THE FRONT LINE
SO MY ANSWER
WHEN ASKED MY IMAGE OF STONEWALL
IS QUITE SIMPLE
ON THIS, MY 20TH ANNIVERSARY ON THIS EARTH
MY IMAGE OF STONEWALL IS ME


© B.Michael Hunter 1989

When Mommy Breaks Down

when mommy breaks down
nervous
you scour the bathroom
scrub the floors
wash the windows
do the laundry
dust the living room
change the light bulbs
when they burn out
clean the kitchen
buy the food and cook
for yourself and mommy broken

you walk through the house
quietly
trying to be air
as if the floors were hot coals
broken glass
or a bed of needles

you speak at a volume just right
tone emotionless
watch the news
late-night talk shows
the late movie
listen to the radio
at a volume so low you could hear
mommy’s breath in the next room
and you read about history
about triumph
about life

you go to school
on time
late or not at all
but you always do well enough
so mommy would not have
to leave the house
‘cause you know mommy shouldn’t leave the house
and when she does
you are always by her side
at the bank
(you wonderin’ where
she got the check to cash
in the first place)
at the doctor’s office
the pharmacy
some relative’s house
by her side
always
she needing
to lean

when mommy breaks
you break
into fragments
but if you are to survive
your blood must become glue
‘cause you must pull it together

you look into her eyes
around you and guess
guess if she needs a blanket
something to eat
the tv channel or radio station changed
or it turned on or off
any sign of life
while all the plants in the house die
or try to
but you can’t let them
so you take care of them too
you answer the phone
“oh she’s not in”
or “oh she’ll call you right back”
or “oh she’s sleeping”
or “oh she’s…”
you leave your friends
at the door
and it doesn’t even matter
what you tell them

‘cause teenage noise
would certainly disturb mommy
or you
or the stillness
and someone
something should explain
the quiet

“why is mommy…”
who cleaned the house
worked every day
raised four kids
single-handedly while going to college
bought food
gave you and every one
such good advice
“why is she so broken”
so you go through the house
looking for clues

you find papers
you read them all
between and behind every line
you uncover
pictures books pieces of the puzzle
secrets
skeletons
and lies

you ask questions
actually you only ask one
at a time
or maybe one a day
or week
or month
‘cause you don’t want to
wipe away her
surely-to-follow tears

you listen
she tells you everything
a burden lifted
she tells you
‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you listen
she tells you everything
a burden lifted
she tells you

‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you go to school
join a club
the track team
run in circles
for miles
a natural high
you are good
but you never excel
no
that would mean mommy
would have to talk to the coach
about allowing you to go out of town
to this meet or that meet
then he too might ask why
she doesn’t come to a meet
to see how wonderful you are

“you explain things so well
you have so much insight
you’re so mature
so thoughtful
so kind
so different” people tell
you thank them all
smile not too wide
‘cause even the best glue
won’t hold together
if you pull too hard
stretch emotions
too far

unknowingly
your vision becomes narrow
your horizon small
and all you remember is mommy
head bent
shoulders round
sitting in a chair
or on the side of a bed
still
alone
you remember your mother
without you
you think
without you where would she be
what would happen

so you build a wall
a very tall wall
so impregnable
so high no one is able to climb
look over
or get through
it protects you
or traps you
or traps and protects you
it’s in your face
your eyes
your mouth
your gait

yet men approach you in the streets
women approach you in the streets
then the streets approach you
you wonder how
everyone and everything know
you need so much
but you never asked for help
you are mommy’s
little helper


© B.Michael Hunter 1989

“When Mommy Breaks Down” was first published in The Road Before Us: 100 Gay Black Poets, Ed. Assoto Saint, 1991, which won a Lambda Literary Award the following year; and later in Boyhood, Growing Up Male: A Multicultural Anthology, Ed. Franklin Abbott, 1993. In a letter to Abbott, B.Michael offers some important context for his poem.

1991-cover-letter-to-franklin-abbott-with-a-BMH-reflection-on-nuturing

Cousins

Sheilah Mabry: He was the first family member who said he loved me because I was “fresh” — thought I was grown at six. When I was seven, he showed me how to toss eggs into convertibles from the 15th floor of the Wilson projects. At eight, he taught me how to cheat at Monopoly, slipping $100 and $500 bills under my robe when he was the banker so that I could beat his brother David. He used to braid my hair — both plaits and cornrows — since I could remember. My cousin Bertram (who the family calls Michael) was always accessible to me for the things that most concerned my life: school, family, romance. I can’t quite explain it, but it seemed we were bound from youth by both love and our future selves — by what made us “different” from others.

B.Michael Hunter: It was easy to say I loved her: my mother’s namesake, my cousin Sheilah — Little Sheilah. Besides myself, she was the only other person who questioned my father, our great aunt — authority. I cannot recall the first time I saw her. (There are pictures we are both in when she was one and I was four.) But I can recall the incidents which bonded our lifelong friendship.

One day my mother took us to visit her sister — Sheilah’s mother. It was an early Saturday morning and neither she nor my other cousins were up. When Sheilah did awaken, she realized she had wet the bed. To my knowledge, at the time, there were no other bedwetters except myself in the family. For a child, it’s the type of thing that friendships are made of. The clincher for me was when she came to visit us and stayed the night — bedwetters were not allowed to spend the night. She told my father,

S: “No!!”

B: She did not eat tuna fish — with or without mayonnaise in it. “So you don’t want it? Too damn bad. Eat it!” he boomed. Once raised above his speaking tone, my father’s voice would intimidate any normal adult. Most children would obey him, or cry, as soon as he gave an order.

S: “No, you fucking bastard!”

B: … squeaked Sheilah, as she raced to hide under the cast-iron bed, three rooms away from the kitchen. How she survived this is another story, but it’s safe to say that it helped to be someone else’s child — and female.

I had always figured out ways to get around him, which set me apart from both my older brother and sister and my younger brother. I often wonder if this is a third child’s trait. Sheilah, too, is the third child in her family. But I was never as direct as Sheilah. We were both different, and our difference made us natural allies.

S: Each of the two girlfriends Michael had his first three years of college he brought home to the city to meet his family. Pulling me to the side, it was always important to him that I liked her and that she liked his favorite cousin, Sheilah. But starting his senior year of college, and throughout his entire term of law school, whenever he came home to visit and I would ask where he was going, he would always say,

B: “Out”

S: I remember clearly asking Michael, when I was fourteen and he was seventeen, if he was Gay. I reminded him of this recently, and he was clear that he remembers the question being “Are you a faggot?” To which his reply was “No.” So, having gotten what was a comfortable response for me at the time, I blocked my curiosity about Michael’s sexuality out of my mind, and threw myself quite rapidly — prematurely I might add — into heterosexuality.

B: From when she was ten until she was twenty-three, Sheilah and I saw each other two or three times a year, which was always enough time for us to pick up where we left off. She could always tell a story and would give torrid details of any facet of her life. It seemed her life was infinitely more dramatic than mine. She lived to shock you, so when in one of her moments she asked me at seventeen if I was a faggot, I quite calmly answered no. Had she asked me about my dreams, I would have given a different answer.

It’s incidents like these that allow me to say she was one of the many people who knew me before I knew myself. But, not trusting myself, I didn’t include her in as many aspects of my life as I had done in the past. She, too, would receive the standard answer to where I was going — “Out.”

Had I suspected that much of my behavior was overcompensation for my own guilt as a Black man about possibly being Gay, I might have been a little more honest — at least with Sheilah. When her mother died, she had tried to be mother to her siblings — older and younger. She had spent all her energy, even her reserves, trying to be a woman — something no child, without the proper stimulus, can be. It is painful to realize that for us inner-city kids, childhood is a luxury you might enjoy if your mamma is living, but one you will surely miss if she ain’t there and you’re facing your fourteenth birthday. Sheilah had worked seriously since she was fourteen, so I did not foresee any economic problems with her living with me.

I knew she was tired and suggested that she move from New York City, away from everyone else’s problems, to Boston to live with me. Those who have lived in Boston know you don’t suggest someone move there unless it’s really necessary or they are going to college. For Sheilah, it was both.

S: I remember telling Michael about a year before he asked me to move to Boston that I was tired of men and was going to find me a woman. The way I said it, however, it might seem to an outsider that my disenchantment with men was what sparked my interest in women. My interest in women — in girls for that matter, when I consider how early I noticed them sexually — predated this. And the feeling of disenchantment, I now know, was a result of unhealthy relationships in general, and not heterosexual relationships per se. I remember Michael saying that was not the way or the reason to explore. I don’t recall his saying, however, what were the good reasons. We just laughed it off.

One day as we were walking outside the Museum of Science, while he was telling me a story about a former roommate, he said something like, “He said he loved me” (which I could have quite comfortably interpreted as: This guy came on to Michael, who isn’t Gay — because I asked him when he was seventeen and he said no). Instead — and I did not share this with him — the next two weeks of my life were traumatic. It was painful for me to realize that Michael was Gay and had been for some time — not so much because of his earlier denial, but because I wasn’t comfortable yet with my own sexuality and hadn’t fully dealt with that.

B: As I said, her move benefitted us both. Until she actually moved, I hadn’t dealt with how I was going to be a “fag.” She had been in Boston two weeks, and I still was going “out.” I didn’t come right out and say I was Gay, but I alluded to it so that she would know. Leaving no stone unturned, she asked me again. This time I said yes.

S: I went to my first Gay bar, the Haymarket, with Michael. He met me at my first women’s bar — Campus — for moral support. I met my first woman lover at a party I attended with Michael — a relationship which, incidentally, made me realize that unhealthy relationships could be found in all communities.

B: I told her that I always thought she was a dyke. (I was not politically correct then.) She helped me believe in and respect bisexuality. We talked about the pressure from the Lesbian and Gay community to make a “more definite” choice than bisexuality. And about the invisibility she felt in both homosexual and heterosexual communities. We felt that, after all, at least as Lesbians, Gays and Bisexual women and men, we could try to liberate ourselves from these rigid sexual definitions.

S: I don’t by any means want it to seem that my relationship with my cousin has been all collards and candied yams. There was a period within that first year I lived in Boston that we did not get along.

B: She talks about the period when we hated each other. (It really was the period she hated me.)

S: Michael and I had sat down and made a semester by semester plan for my next year and a half in school. I was sure I could not handle an accelerated courseload and told him this, but he insisted I could. At the end of the second semester, I found myself drowning, but didn’t seek out the necessary help. Quite frankly, I lied about getting the work done. When Michael asked how I was doing, I told him I was doing terribly. Flippantly, he suggested I needed counseling. I screamed a lot of hateful words …

B: … bringing up all the family dirt, she told me ten different ways that I was sick for being, among other things, Gay.

S: And I called him a faggot — because I wanted to hurt him.

B: The bitch was feelin’ it! I had known Sheilah to go off on other people, but never — never — never on me. She is painfully honest. I felt like shattered glass. The truth, no matter what package it comes in, is truth. I had become the perfect son/cousin/brother/employee/citizen/invisible respectable homosexual — all things good: to compensate for my own guilt. I had given her much, had in my own sexist way made her my child. And no grown woman, standing on the verge of her own self, needs a daddy. Even if he’s Gay.

S: Looking back at the period and being more aware of myself today, there was probably a great deal of self-hatred going on that I had not yet gotten in touch with.

The event that salvaged our year and a half together in Boston was Michael’s decision to get a roommate. I had become an economic and emotional strain on him and he told me that I would have to give up my room and share his. Part of his rationalization for his decision was a transfer to New York he had put in for at his job.

It was the first time he had mentioned the transfer to me.

The roommate’s attempt to divide-and-conquer brought us closer together — in an effort to reclaim what sanctity we had had in the household. We were on better speaking terms and Michael was still preparing for his New York transfer. He would be leaving at the very end of December. I had gotten a copy of Joe Beam’s In the Life: A Black Gay Anthology for Christmas and told him to check it out. He said it was “fierce,” so I bought him his own copy. That was a turning point for him.

B: Not wanting to lose my ally and the only person I’d been honest with, I picked up the charred pieces of my ego and began to s-l-o-w-l-y let go. I began to let go of my controlling, closeted lifestyle. My sexist and homophobic attitudes. My guilt for not being there for my straight Black sisters. My exclusion of my family from my life. Letting go was a turning point in my development and our friendship, and it helped Sheilah to take control of her life.

S: Once he moved away, I had to deal with myself more and learned not to expect someone to take care of me. I can look back now and see his frustration with me. I had been living on my own for four and a half years before I moved in with him, yet once I arrived in Boston, a definite sense of helplessness came over me. It wasn’t something deliberate, but after years of taking care of others and myself, his invitation to me said someone was finally going to do this for me.

After a great deal of introspection and at the suggestion of a friend, I went to counseling and worked diligently on my life. I attended many readings in the Boston/Cambridge area, did the needed backtracking to fix up my college transcript, and dealt more constructively with family issues.

B: I was forced to reevaluate my self-imposed exile from New York. After five years away, I began to make arrangements for my return. Sheilah, as I knew she would, spread her wings and was in flight. It was up to her to find sanctuary. I had to excavate muted feelings about what I really wanted to be and find a way to make my reality happen. But it was Sheilah who introduced me to the work of Kate Rushin, Lorraine Bethel, and Audre Lorde, as well as Joseph Beam’s Black Gay anthology In the Life. I met many of my closest New York friends as a result of Joe Beam’s book.

S: Over the next year and a half I told Michael how aware I was becoming of the destructive patterns that had bound me and the necessary steps I was taking to rid myself of them. I remember the inscription on the birthday card he gave me that year: “I’m proud that you are taking the time to love yourself. Love, Michael.” I was proud that he had taken the time to acknowledge it.

B: I still get choked up thinking about the day Sheilah graduated from college, about the joy and pain we shared.

S: We have both set up boundaries in our lives so that we can better deal with ourselves …

B: I think about all the work we still have to do …

S: … not always rigid boundaries, but boundaries nonetheless.

B: … and as we continue to grow, I thank the Goddess for her blessings and for my cousin Sheilah …

B & S: … AND WE ARE LOVING OURSELVES BECAUSE OF IT.


© B.Michael Hunter & Sheilah Mabry 1989

Performed on 29 September 1989 at the Lesbian & Gay Community Services Center as part of Other Countries’ A Page From A Black Child’s Diary.

Full version published in the We Are Family issue of BLACK/OUT: The Magazine of the National Coalition for Black Lesbians and Gays, Volume 2, Number 2, Summer 1989. Performance text above is edited down from the original.
Also published in the Queer City issue of The Portable Lower East Side, 1991.



1989-Cousins-drafts

Dew Locks

For Ron Harris


STARTED AS A SORT OF BAPTISM
WARM WATER ON YOUR HEAD
WANTED A REASON TO CARESS YOUR BEING
TO TOUCH

YOU — YOU NOTHING BUT FLESH ON BONES
A LIVIN’ STICK FIGURE
YOUNG THANG
EYES BRIGHT
DRAWIN’ IN SLOW BREATHS

YOU SIT — ERECT — BETWEEN MY LEGS
THE WORLD AT YOUR FEET
LOOKIN’ LIKE ANCESTORS
COULD BE CHOCTAW — CREEK
COULD BE FON

I ANOINT YOUR HEAD WITH HERBS AND OIL
HONEY DRIPS SWEET IN OUR EARS
SLOWLY OUR BODIES ROCK

MY FINGERS
TWIST HISTORY
TWIST POWER
TWIST CARE

DRAWN TO YOU
THINKIN’ YOUTH
THINKIN’ BROTHER
THINKIN’ LOVER

SQUEEZE MY HANDS
CUPPED GENTLY ON YOUR HEAD
A SUBSTITUTED STOLEN KISS
PLACE A JEWEL IN YOUR HAIR
YOUR CROWN
MY PRINCE
CITY STREET CHARMED

WE MOVE THROUGH ROOMS
CHECK REFLECTIONS
MOON FULL — ITS GLOW A STREETLAMP

ON OUR BACKS IN DARKNESS
WE TESTIFY
AND ALL THE TIME
I’M WONDERIN’
WHAT YOU THINKIN’

EYES CLOSED
SPIRITS SUMMONED
IN CELEBRATION OF OURSELVES
WE CREATE
THROUGH THE NIGHT
SOFT — WIND — SONGS


© B.Michael Hunter 1989