Other Countries – 1991 Spring Workshop & Performance Schedule

During the first half of 1991, the gifted brothers of Other Countries took turns leading the weekly Saturday afternoon workshop. The roster is packed with brilliance and culminated in the Summer Solstice performance on June 8.

B.Michael took the April 13 slot (see page 2 below). Other contributors to What I Miss? also led sessions: Colin Robinson (January 12), Robert E. Penn (March 9), and Allen Luther Wright (April 20).

Some of the writers/performers listed here died of HIV within a couple years, including Craig G. Harris, Roy Gonsalves, Sabah As-Sabah, Jr., and Assotto Saint.

Multicultural Diversity Coordinator

One of B.Michael’s first jobs after leaving IBM was with the Church Avenue Merchant Block Association (rebranded officially as CAMBA the way KFC no longer refers to its Kentucky origins).

Within two weeks of submitting his first report below, as B.Michael told it, the day before the end of the end of his three-month probationary period, he was called into the office of the executive director, a white woman who, according to the CAMBA website in 2020, is still in the position 30 years later. He had been receiving subtle messages that his vision for the program was not well-received and that he was not a fit. As he suspected, he was informed that he would be let go. Without missing a beat, B.Michael conveyed something to the effect of, “What’s your offer (to have me go away and not file a discrimination complaint with the NYC Human Rights Commission)?”

Kwanzaa + Craig Harris

In 1990, Craig Harris sent out a Kwanzaa greeting, which B.Michael received, in which he cites some of his Black Queer literary contemporaries, including Donald Woods and Assotto Saint.

That year, Craig also hosted a beautiful Kwanzaa spread in his New Jersey apartment. B.Michael attended with his new lover John Manzon-Santos whom he introduced to Craig for the first time. Let us know if you were present! Bonus if you can remind us which of the seven Kwanzaa principles Craig chose to celebrate.

Multicultural Meeting

All we know about this dynamic convening of LGBTQ advocates in New York City is that it took place on a Tuesday and that Bert was the first to sign in. Present were Bert’s close friend and fellow community organizer, Craig G. Harris, and his eventual domestic partner, John Manzon, in whose storage this attendance sheet was found.

The gathering included a cross section of folks from NYC public schools, NYC and NY State government agencies, youth-focused organizations like Hetrick-Martin Institute and Project Reach, health organizations like GMHC, as well as the Lesbian and Gay Teachers Association, PFLAG, Queer Nation, and The Loft: LGBTQ+ Community Services Center located upstate in White Plains NY.

Denise Carty-Bennia ~ Rest In Power

Denise Carty-Bennia, B.Michael’s dear friend and mentor from law school, died tragically at the age of 43. Her obituary appeared in the New York Times.


At Northeastern’s memorial for Denise, B.Michael was one of two Alumni Tributes; he read a poem he wrote called “Shades of U.”


The Northeastern University School of Law created the Denise Carty-Bennia Memorial Bar Award in her honor.


A year after her death, the City University of New York School of Law at Queens College dedicated the Denise Carty-Bennia Auditorium:


Just a few examples of Carty-Bennia’s legal scholarship and leadership that B.Michael kept in his files.


A discussion on “Affirmative Action: Where Are We Headed” held by Carty-Bennia at Barnard College, her undergraduate alma mater, was recorded in 1990.


One of Carty-Bennia’s Constitutional Law lectures was recorded at Northeastern some time in 1981-82.


Other Countries – Volume II – Breaking Ground

Since the publication of Other Countries’ first journal in 1987, the Board of Directors discussed in earnest if/how/when to manifest their second volume. Once they decided to move forward, job one was to identify a managing editor, a role eventually taken on by B.Michael. The announcement was circulated across Vice-Chair Roy Gonsalves‘ signature.


The initial invitation for work had a submission deadline of February 15, 1991.


With a subsequent call for submissions by June 15, 1991.

“The Doors Will Open!” (earlier draft)

B.Michael wrote this poem in honor of activist Keith Cylar. He recorded a conversation with Keith (audio and transcript forthcoming) as part of a series of interviews with Black and Brown Queer men involved with ACT UP. He quilted them together in a kind of song cycle honoring Keith and three other warriors who deeply inspired him.

The curators of What I Miss? are not convinced that this is B.Michael’s handwriting! B.Michael was a proud leftie and this seems to be penned by a right-hander. If it was YOU, please let us know so we can acknowledge you!

Palm of My Hand

If I had one dream in the palm of my hand
It would be to see tomorrow

If someone questioned me
And asked me to say
What would you hope for
My reply
simple and sweet
is to see tomorrow

Now there is some joy
in knowing that you had
the joys of today
It’s good,
to be in the moment
look back over what has been
but the thought
of facing yet another day
now that’s some joy
I want to have

So I will say
simple and sweet
I’d like so much
I’d like so much
you can be sure
I’d like to see tomorrow
I’d like to see tomorrow


© B.Michael Hunter 1990

“It’s 11:10 on the 5th of June and I’m trying to record — no, I am recording — the melody to a song that I just wrote the rest of the words for. I wrote the first line about a week or two ago and it goes like this …”

Below, on the back of a 4″ x 6″ index card, is where B.Michael wrote the “first line” along with the “rest of the words” for Palm of My Hand.

On the front of the same index card is a single line: “Know my hand has taught the waters …” Or is it: “Know my land has taught the waters …”? Wondering if B.Michael auditioned this lyric for the same song or as the seed of another.

To all of you within earshot of B.Michael’s voice, what song or poem emerges for *you* in this moment with this ancestor’s line as a prompt?

When Mommy Breaks Down

when mommy breaks down
nervous
you scour the bathroom
scrub the floors
wash the windows
do the laundry
dust the living room
change the light bulbs
when they burn out
clean the kitchen
buy the food and cook
for yourself and mommy broken

you walk through the house
quietly
trying to be air
as if the floors were hot coals
broken glass
or a bed of needles

you speak at a volume just right
tone emotionless
watch the news
late-night talk shows
the late movie
listen to the radio
at a volume so low you could hear
mommy’s breath in the next room
and you read about history
about triumph
about life

you go to school
on time
late or not at all
but you always do well enough
so mommy would not have
to leave the house
‘cause you know mommy shouldn’t leave the house
and when she does
you are always by her side
at the bank
(you wonderin’ where
she got the check to cash
in the first place)
at the doctor’s office
the pharmacy
some relative’s house
by her side
always
she needing
to lean

when mommy breaks
you break
into fragments
but if you are to survive
your blood must become glue
‘cause you must pull it together

you look into her eyes
around you and guess
guess if she needs a blanket
something to eat
the tv channel or radio station changed
or it turned on or off
any sign of life
while all the plants in the house die
or try to
but you can’t let them
so you take care of them too
you answer the phone
“oh she’s not in”
or “oh she’ll call you right back”
or “oh she’s sleeping”
or “oh she’s…”
you leave your friends
at the door
and it doesn’t even matter
what you tell them

‘cause teenage noise
would certainly disturb mommy
or you
or the stillness
and someone
something should explain
the quiet

“why is mommy…”
who cleaned the house
worked every day
raised four kids
single-handedly while going to college
bought food
gave you and every one
such good advice
“why is she so broken”
so you go through the house
looking for clues

you find papers
you read them all
between and behind every line
you uncover
pictures books pieces of the puzzle
secrets
skeletons
and lies

you ask questions
actually you only ask one
at a time
or maybe one a day
or week
or month
‘cause you don’t want to
wipe away her
surely-to-follow tears

you listen
she tells you everything
a burden lifted
she tells you
‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you listen
she tells you everything
a burden lifted
she tells you

‘cause you asked
‘cause there is not noise in the house
‘cause it seems that you and she are
the only living things
and you hear yourself repeating
“it’s alright
everything will be alright”

you go to school
join a club
the track team
run in circles
for miles
a natural high
you are good
but you never excel
no
that would mean mommy
would have to talk to the coach
about allowing you to go out of town
to this meet or that meet
then he too might ask why
she doesn’t come to a meet
to see how wonderful you are

“you explain things so well
you have so much insight
you’re so mature
so thoughtful
so kind
so different” people tell
you thank them all
smile not too wide
‘cause even the best glue
won’t hold together
if you pull too hard
stretch emotions
too far

unknowingly
your vision becomes narrow
your horizon small
and all you remember is mommy
head bent
shoulders round
sitting in a chair
or on the side of a bed
still
alone
you remember your mother
without you
you think
without you where would she be
what would happen

so you build a wall
a very tall wall
so impregnable
so high no one is able to climb
look over
or get through
it protects you
or traps you
or traps and protects you
it’s in your face
your eyes
your mouth
your gait

yet men approach you in the streets
women approach you in the streets
then the streets approach you
you wonder how
everyone and everything know
you need so much
but you never asked for help
you are mommy’s
little helper


© B.Michael Hunter 1989

“When Mommy Breaks Down” was first published in The Road Before Us: 100 Gay Black Poets, Ed. Assoto Saint, 1991, which won a Lambda Literary Award the following year; and later in Boyhood, Growing Up Male: A Multicultural Anthology, Ed. Franklin Abbott, 1993. In a letter to Abbott, B.Michael offers some important context for his poem.